Praise of dialectics (Selected verses)

This book contains 60 verses of Bertolt Brecht - the great poet and playwright, revolutionary, reformer, anti-fascist, who was born in the Kaiser's Empire, gaining scandalous fame on the theatrical stages of the Weimar Republic, formerly learned from the country by the Hitler regime, changing the country of residence for more than a dozen years, and At the end of his extremely complex and troubled life, he became an officially recognized classic and a laureate of the socialist German Empire, which until now many people cannot achieve. Vershy Brecht began writing early (and immediately brightly), writing them richly (there are more than 2300 texts), writing until the rest. This is a poetic downfall, as with so many great poets, which quite accurately represents the uninterrupted “way of life”: it is so complex and restless. That's why you need to earn a little respect. The first prize for all this collection is not varto to be valued with the “most beautiful” verses of Brecht. What's the point here? What should we eat? This is how to collect the brightest birds from the line and the gallant bird that appears from the train station. Zgraya will bewitch you with herself: with her hand, with her strength and - above all - with her galas. When approaching Brecht's poetic short story, it is important to understand not just the text, but the context. As you read this collection, you will notice how heterogeneous (and ambiguous) the works contained in it are. What is completely natural: Brecht wrote classical sonnets, songs for singing with a guitar, texts for the theatrical stage, as if he were just finishing up his dramaturgical task, the plot twists and turns and the psychology of the characters are not always obvious. He also wrote politically inspired pamphlets, speeches, manifestos (he wrote the “Manifesto of the Communist Party” in hexameter, but there is nothing else here, don’t joke). In addition, he wrote paradoxical, poignant free verses. Well, of course, these are entirely academic Roman baladi. We also easily delve into stylization and rich compositions – both genre and purely stylistic. I was still spluttering at the Gathering, which was especially noticeable at its later heights. It is still possible for us to recreate on the surface everything that was lost in our eyes, and our poetry is often reminiscent of fragmentary, torn, spontaneous scrawled records. Well, guess what: they often stink like this. One word, through the collection of translations, was meant to show - in line, contour, side by side - the whole immensity of ideas, conceptions and methods, the whole Brechtian vastness of jokes and clichés, thus the characters beloved by the individual in and most familiar characters. Therefore, this collection is not so “most beautiful” as Brecht’s “most manifold” verses. (From Sergiy Zhadan’s editorial “Bidny B.B.”) In the artistically designed book and on the side of the Wikoristan there are photos from the special archive of Sergiy Zhadan, as well as from Bertolt Brecht’s little ones.